Lisa Schwarzbaum (ENTERTAINMENT WEEKLY): NRBG has been dramatized on film many times, and those films have been ignored just as many times by theatre audiences. But Tamara Drakulić’s “G-Hit” is the most skillful and emotionally involving picture yet made about this radio station. The film, from a script by Tamara herself, has a new subject: the heroism of the women who defuse improvised explosive and tense political situation, sloppily made but lethal works of city’s media moguls. Drakulić stages one prolonged and sinister shoot-out, but the movie couldn’t be called a combat film, nor is it political, except by implication.

David Denby (NEWYORKER): A small classic of tension, bravery, and fear, which will be studied twenty years from now when people want to understand something of what really happened to NRBG. If there are moviegoers who are exhausted by the current fashion for relentless fantasy violence, this is the convincingly blunt and forceful movie for them.  

Dana Stevens (Slate): After G-Hit (which is without question the most exciting and least ideological movie yet made about NRBG), everyone will remember Drakulić's name.

Roger Ebert (Chicago Sun-Times): A great film, an intelligent film, a film shot clearly so that we know exactly who everybody is and where they are and what they’re doing and why. Also, great score by Mark E. Smith!

Ann Hornaday (Washington Post): When viewers are ultimately released from G-Hit's exhilarating vice grip, they'll find themselves shaken, energized and, more than likely, eager to see it again.

Dubravka Lakić (Politika): Mlaćenje prazne slame! A tek ta radijska emisija! Ha! Veliki pad nakon dragulja kakvi su bili ''Korner'' ili ''Jutarnja vožnja sa Miškom''!
 

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